Why It’s Sometimes Okay to Quit
As a child, I hated horseback riding. I took lessons, though, because my mother wanted me to, and because I was under the impression that… Read More »Why It’s Sometimes Okay to Quit
As a child, I hated horseback riding. I took lessons, though, because my mother wanted me to, and because I was under the impression that… Read More »Why It’s Sometimes Okay to Quit
The only way to be a writer is to sit down and write. It doesn’t matter how many terrific notebooks and apps you have, or… Read More »5 Great Tools for Writers
1. Writers just want to be read. I recently heard a young woman at a party say that writers don’t mind when their books are… Read More »The Copyright Problem: Three Myths That Are Killing Literary Culture
Stories are like relationships: the beginning is always so much fun, and the ending is fraught with turmoil. When I sit down to start a story,… Read More »How to End a Story
GalleyCat brought my attention to this terrific photograph by Pete Souza on Newsweek’s Tumblr. It’s a photograph of President Obama editing his Inaugural Address. I… Read More »Editor in Chief: How Obama Fine-tunes His Speeches
Despite her knowledge of Greek and her voracious reading of the classics, Virginia Woolf considered herself a self-taught reader. As a woman, she had been denied the illustrious Oxford education that the men in her family enjoyed. As it turns out, her lack of affectation, her insistence on taking pleasure in reading, is what makes her essays on literature so lucid, smart, and delicious to read.
Reviewing The Essays of Virginia Woolf, Volume 6: 1933-1941, for the December issue of The Atlantic Monthly, Benjamin Schwarz notes that, despite Woolf’s place in “the highest stratum of the English intellectual aristocracy,” her essays were written not for the academic but for the common reader, the category in which she rather modestly placed herself. The common reader, she posited, “reads for his own pleasure rather than to impart knowledge or correct the opinions of others.”
Here, Schwarz excerpts Woolf’s essay “Hours in a Library”:
A reader must check the desire for learning at the outset; if knowledge sticks to him well and good, but to go in pursuit of it, to read on a system, to become a specialist or an authority, is very apt to kill…the more humane passion for pure and disinterested reading. The true reader is a man of intense curiosity; of ideas; open-minded and communicative, to whom eating is more the nature of brisk exercise in the open wire than of a sheltered study.
For all of her wealth and status–the very condition that allowed her the coveted room of one’s own–Woolf also believed passionatelym Schwarz notes, in the democracy of reading, as evidenced in her essay “The Leaning Tower.”
Literature is no one’s private ground; literature is common ground.
Woolf’s prescription for the survival of literature, which might have ruffled feathers in her time, is no less meaningful today. Literature will survive, she wrote,
if commoners and outsiders like ourselves make that country our own country…teach ourselves how to read and how to write, how to preserve and how to create.Read More »I am the Common Reader: Virginia Woolf on pleasure, reading, & the survival of literature
This week, Yuvi Zalkow interviewed Thaisa Frank for The Rumpus. They met at the bar of the Hotel Rex, where Frank, author most recently of… Read More »Writers on Writing: Thaisa Frank
The first thing you need to know about writing a novel is that there are no easy answers. There’s no magic formula for novel-writing. Every novel demands its own structure, its own pace, its own way of looking at the world.
Still with me? Good. Because, as it turns out, novel writing isn’t just a head-banging exercise in utter frustration and despair (although, trust me, sometimes it is just that). It’s also a deep swim into your own head space, a really fun adventure, and one of the most thrillingly creative things a person can do. It’s your world; you get to make it, populate it, cultivate it, and bring all of the pieces together.
If you’re ready to take on the challenge of writing a novel, continue reading for 10 steps to get your started.
1. Consider the setting.
Setting encompasses not only place, but also time. Where does your novel happen, and when?
2. Consider the point of view.
Who is telling the story, from what distance? Do you have a first-person narrator who is at the center of the action, an omniscient narrator who is able to go into the thoughts of any character at any time, a limited third person narration that sticks closely to one character?Read More »10 Steps to Writing a Novel
from the archives (originally published in Issue 5, June 2012) Years before my mother died, my sister was prepared. Ilana arrived home one weekend, clutching… Read More »Staking Claim. flash fiction by Vanessa Hua
I’m currently reading a wonderful novel, Elizabeth Black’s The Drowning House. It’s a debut novel that will be published by Nan A. Talese/Doubleday in January.… Read More »Writers on Writing: Elizabeth Black (or Why You Need an Agent)