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Author: Editor
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Commuter

by Edward Wells & Nicolas Diaz
novella excerpt
[1]
Stuff you can do in the commuter bus: fall asleep in your seat; pretend to fall asleep in your seat so that you don’t have to give it up; pretend to fall asleep in your seat to avoid conversation; read in your seat; pretend to read so you don’t have to give up your seat; pretend to read to avoid conversation; listen to music through your headphones; pretend to listen to music through your headphones to avoid conversation; make small talk with someone you know.
Stuff you can’t do in the commuter bus: look strangers in the eye.
So, students and employees use headphones and magazines. Some play music, some listen to it. Some look at their magazines, some read them. Those who don’t want to carry on just nod off to sleep or watch through the windows. Without moving, they are all going home. From downtown to the old districts, to the not-so-old districts, to the industrial park, to the old commuter town and the new commuter town. It takes an hour to go from downtown to the new commuter town. The buses that do not take the industrial park road take an hour-and-a-half to get to the commuter town.
As they were in the Middle Ages, old people are strange creatures here. They dwell on their porches and sidewalks, in their armchairs, in their beds. They only move in twos, the way girls do in elementary school. They ride the commuter bus in twos. They don’t have headphones or magazines, they talk to each other, or to whoever they want. Rules don’t apply to old people.
“He doesn’t understand, not until things happen to him.”
“You know the saying, ‘they cover the well once the child is drowned’.”
Hands holding evening newspapers, gossip magazines. Eduardo is not wearing headphones; he is not reading a magazine, and he’s not old. So, he pretends to sleep with his head against the window.
“They cover the well once the child is drowned.”
Eduardo toys with ideas, imagining himself as an old man, or as a young kid watching this present self of his.
“And he wants me to throw away all my stuff, he says it’s all useless—” “Because it’s not his stuff.”
“It all will be his one day, when I’m gone.”
Eduardo pretends, so well he actually falls asleep. Wakes up when the commuter bus reaches his district, white houses. There is almost no one on the bus when he steps down the stairs, only two elderly women talking.

(2)
[The End]
Joe rests on the edge of a well. He is leaning over with his ear turned to the well’s center. After a few minutes he reaches down and pulls a rusted 19th century iron from his hiking pack. He holds it over the well’s center and hesitates for a moment looking back down at his hiking pack, nudging the contents with his foot. He bends down, putting the iron on the ground. He rummages through the bag picking up several of the items, bouncing them in his hand, before replacing them in the pack. He again stands with the iron and centers it above the well. He drops it and leans over with his right ear turned to the well’s center. He covers his left ear with his left hand and waits.
No sound returns.
Erika turns to the clothes line hanging a sheet in front of the lemon tree in the far corner and speaks to the woman sitting behind her. “You know that I won’t take that ring from you–I mean you know when I will take the ring, Mira.”
Erika continues to hang sheets forming a curtain between the older woman and the circular formation of stones which takes center place in the courtyard. “I do not need to be dead to see you happy, child,” the older responds flatly, then sighs before beginning to slip away, as Erika struggles with a clothespin on the next sheet. Lifting the empty basket from the compacted dirt floor, Erika swings around as the curtain rises.
“Now, what is this talk about visions of a boy–” She breaks off as she realizes she is talking to the wind.
At home Eduardo drops his backpack and lays on the sofa without turning on the light. Rummaging through his pockets, he makes sure parts of a newspaper are still there. He places them quickly onto the short table that sits in front of the worn sofa. He looks around at the three objects in the room: the sofa, the table, and a tall lamp. There is no well here or kids that could fall inside a well.
He looks toward the kitchen and places a hand over his stomach. He pushes his shoes off using his feet and straightens his legs on the sofa. In the dark room, it is sleep which ultimately holds his attention.
End of excerpt. Stay tuned for more.
Edward Wells II studied Creative Writing: Fiction at Colorado State University. He is currently finalizing details for divergent future paths. He is currently working on a new collection of poetry & short fiction under the working title “I Am Not Sam: Scribblings from American Samoa” while teaching English at Leone High School on Tutuila.His work can be found online at Gone Lawn, Eunoia Review, and many other places. His most recent collection, CO (2013) was released by The Pedestrian Press. You can contact him through his facebook artist page https://www.facebook.com/EdwardWellsII.
Nicolás Díaz was the author of Trouble Every Day, a blog on pop culture for Milenio newspaper, between 2007 and 2013. Previously he coedited Sonitus Noctis ezine. His personal blog is called Murmujú. -
Chibas Speaks
by Steve AlmondAugust, 1951. In Havana, in a studio the width of his arms, Chibas speaks. His voice swells with heroism. Clustered around wooden radios the shape of cathedral doors, listeners reach to adjust the volume.
Chibas says: Batista is a thug, the university has become a refuge for murderers, Cuba, with her beautiful girdle of mountains, her sea bass and garlic, Cuba starves. In her elegant buildings, American gangsters feast on steaks and shoot disease into our women. Roulette wheels spin and the Arawak die. Father Varela, with his elegant proofs, dies. Jose Marti dies. His victorious love and turbulent appetites, dead; moral progress fails, gives way to tailfins and murder. All that remains of history is the gesture.
Chibas speaks and thinks not of the words (they are always the same) but of his father. When Chibas was a boy, his father built him a toy bridge from slats of wood. Chibas smoothed his fingers along the wood for hours, pretended to march off to work with his father, a little man in a little coat and hat.
Where is that bridge today? He wonders this even as he speaks to the poor and the hopeful of Cuba, as he laments what the island has become. There is no goodness left in this place. His father told him this.
The time has come to face the truth, Chribas says, to wake ourselves from centuries of slumber.
But something is happening. Something is happening to Chibas as he speaks; a slice of mango is falling into his mouth; like a second tongue, only sweeter. The fingers of his first lover are grazing his stomach, the glorious stink of the melacon fills the hazy studio, his father’s lemony cologne, applied, with a gentle dab of the thumb, to the back of his neck. These are the minutes he wishes were a thousand years.
He has to remind himself: this is really happening. This speech, these words, the plan behind them. He has to remind himself: duty.
The address is over. In his trouser pocket, the pistol is dense and cold. What is death but the end of a bridge that connects us to childhood? What is goodness but a kind of awful bravery? Chibas thinks: Forgive me father. He alone knows what comes next.
Chibas Speaks, by Steve Almond, appeared in Issue 10 of Fiction Attic: The Journal of Elegant Wit
Steve Almond is the author of the story collections My Life in Heavy Metal and God Bless America, as well as Candy Freak and a bunch of other books. His fiction has appeared in Tin House, Playboy, Other Voices, The Mid-American Review, Nerve, and many other magazines. “Chibas Speaks” originally appeared in Story Quarterly. Steve lives in Somerville, Massachusetts and teaches at Boston College.
Manhattan-based artist Matt Cervenka studied at the School of Visual Arts and S.U.N.Y. at Farmingdale. Extensive travels in the Southwest, Mexico and Europe have provided inspiration, and Matt has incorporated their cultures in his work. Presently, Matt enjoys working with gouache, pen and ink, acrylic, and mixed media.Austrian Television’s Tema recently aired an interview with Matt, featuring his animal portraits. See Matt’s New York Cityscapes at Portable Muse.
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The Truth About Alaska
by Mickey Laurence Cohen
The ice field trapped us. Floes as long and thick as churches crowded the boat, shrieking the paint from the hull. Boredom settled among us like fog, like the frozen fog hanging in the cold Alaskan air around us. Now and then a floe snapped with a cracking sound like thunder. We cut the engines and we drifted.
There was no way to know for how long we’d be trapped. Another day, another week, perhaps longer. From time to time the engines came to life, the propellers burped and churned and shifted us this way or that to avoid a passing floe. Any one of them large enough to crush the hull and sink us.
We were bored. The night before the crew had all shaved their heads. This had been their idea; they had been drinking and one of them had asked to borrow my clippers and then another and another and pretty soon they were holding down the ones who refused. Oh, the way I used to tell it I stood back and watched them do this and claimed there were too many of them to make them stop. But now I will admit I egged them on. I wanted them to look like me. They were all young, most of them from the same town, most of them fresh out of high school. They were tall, good-looking, all-American farm boys and I looked nothing at all like them. If I could not look like them, I thought, I could make them look like me.
In the morning they gathered in the galley, hung over and ashamed, homely and humbled.
We were bored. Alaska was only just waking from its long winter’s night, trapping us in its endless twilight. At times the fog, already thick enough to touch, pressed in still closer around us, solid and prickly, stinging the nostrils, the tongue, the throat. The fog weighted us, bound us. I had the sensation we had sailed beyond time. I had the sensation the fog <i>was</i> time, the past, the present, the future mere objects like all the rest. We need only reach out, I thought, and take what we wish.
By then I had already taken to sitting on top of the boat, on what had formerly been the ship’s helicopter pad, now loaded high with pallets of cardboard boxes. On the stern end the pallets formed a small shelf, and this is where I liked to sit and watch Alaska.
The rest of the crew gathered at the rail below. An especially large floe had nestled itself against the starboard side of the hull and the crew were taking turns climbing down the ladder to stand on that and have their photos taken. The fog had drawn in close around us and from where I sat it appeared as if they walked on the fog.
It was dangerous to stand on the ice. There would no warning when an ice floe snapped, suddenly split and shattered and an instant later disappeared, leaving only the black sea, cold enough to kill in seconds. In the distance we heard other ice floes breaking up, the sudden cracking and roar, thunderous and deafening, snarled in the frozen fog.
One by one the crew dropped over the side, standing on the floe just long enough to have their photo taken, scrambling up again, merging back into the group. One of them, whom the others had nicknamed Father, spotted me and waved me down to join him. He was a couple years older than the others, almost my age, and he was studying to become a minister. He had been the first to ask me to shave his head but he had not taken part in the rest.
I arrived at the rail just as another of them, a jokester with a jawful of chew, climbed down the ladder and dropped to the floe. Instead of climbing up again, he started to walk on the ice, kicking at the layer of slushy snow on its surface. He walked out a few yards and turned to face us and danced a jig. The others laughed. They wanted me to climb down there too but I said no.
The floe drifted alongside the boat, nudging the hull, booming in the hollows of the holds, and slowly carried him away from the ladder.
The fog thickened around us. Nearby a floe cracked, a noise like gunshot, and another, farther off, and another, closer by again. Father called out to the jokester, told him to stop playing the fool. But he just laughed and danced his jig and the others laughed too and snapped photographs. The floe drifted, carried him toward mid-deck. Father rushed ahead to the ladder there, and I went to join him.
I liked Father. I had never met anyone quite like him. I felt he was so much the opposite of me that we somehow reached around and joined each other again on the other side, so to speak. He was earnest and strong and truthful and when he looked at me it was with genuine sadness. He had never met anyone like me either. Didn’t it bother me, he had asked me shortly after we’d set sail, to know I would go to hell? No one had ever asked me this before and from someone else I might have been offended. But I liked Father and he had looked at me with such honest concern that I said nothing.
Now he called to the jokester by his full name, scolding him. The jokester grinned and danced his jig and waved his hat at us. Wisps of steam tipped his bald skull. Father scolded him again, ordered him back to the boat. The jokester moved closer to the hull, reaching for the ladder. The others never argued with Father.
We exchanged a look. I felt as if we were thinking exactly the same thing at exactly the same moment. I felt as if we somehow reached into the future, perhaps only a split-second or so, enough. For just at that moment we heard the loudest crack of them all, a thunder so loud and so close it shook the boat and we struggled to keep our footing. Without a word, Father and I swung ourselves out on the ladder, we reached down and grabbed hold of the jokester just as the ice floe split and disappeared beneath him. We hung there, dangling the jokester between us above that black and deadly sea, until the rest of the crew caught up to us and helped us to drag him back onto the deck.
This is how I used to tell the story. The truth of it was I had been dazzled, I had been mesmerized by the seeming certainty of what was to come, shocked by this vision of the future, that is, I had already seen the jokester disappear beneath that cold black sea, and I had been afraid. It was Father who swung out first and saved him.
Back on deck the rest of the crew gathered about us and congratulated us while the jokester, who had swallowed back his chew, gagged and retched at our feet. The others clapped us on the back and shook our hands and I felt ashamed. I started to speak, I wanted to tell them it had been Father who had saved the kid, not me. But Father stopped me with a look. Quietly, so the other would not hear, he said to me: My fingers were slipping, you know. I couldn’t hold him. If it hadn’t been for you…
The others slapped me on the back and I did not stop them. And over the days and weeks, when the others would ask Father about it, his role in it grew smaller and smaller. I did not correct him. I did this for him, I told myself at the time, but this was not the truth.
At last we could sail again and a few days later we arrived in Ketchikan, where the captain, who had flown ahead from Seattle, awaited us. He boarded the boat and the crew lined up to greet him at the rail. The captain was tall, strong, ruggedly handsome in a way I was not and never could be. He had a quick wit and a sharp tongue; he had hired me at the last minute off the docks in Seattle and he had not yet had the opportunity to take his measure of me.
The crew stood at a mirthful attention as the captain inspected us. We wore wool caps to hide our heads and at a signal we removed our caps and revealed our smoothly shaved heads. The captain caught my eye and his smile hardened.
Just remember whose boat this is, he said. The others laughed.
Yes, sir, I said.
You, the captain said, but now he pointed at the jokester, who had recovered somewhat from his fright but remained ghostly pale, as if part of him had indeed drowned in the cold black Alaskan waters. The captain stepped up to him, said: I heard what you did. I can’t have that on my boat. I’m taking you to shore and I’m sending you home.
Anyone else here want to leave, the captain said, and his gaze traveled along the line of us, and hovered I thought for a moment or two longer on me, Now’s your chance.
This cast a pall on things. The crew stopped laughing and a few minutes later gathered at the rail to watch the kid climb back down the ladder to the waiting skiff.
I climbed to my perch on the pallets above the stern. There were dozens of boats anchored in the bay that evening, the smaller gillnets, the skeiners and trawlers, the larger processors like ours and farther out the giant freezer ships sent in from Japan, and as the evening drew in their lights smeared across the smooth black water. We floated on this sea of light. Presently Father joined me up on the perch and we sat together in silence, we watched the sunset draw its darkness down from the distant mountains, like a cloak to cover Ketchikan’s frail and narrow shoulders.<img title=”More…” alt=”” src=”https://fictionattic.com/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif” />
<h4><b>2. </b>The Universe</h4>
Waves as tall and treacherous as cathedrals tossed us across the Gulf. At times the boat crested a wave and hung there, the either ends of the boat flapping above the void. The boat howled at the stretching of its hull and deafened us. Now and then we heard a popping sound like gunfire. This was the boat, losing its rivets.Sometimes the sea deceived us and grew suddenly calm, silent, flattening out around us, tempting us, telling us it was over, the storm had passed, like two lovers after a fight, come back to bed, oh lover, come let us sleep, only to pull out again from beneath us, suddenly there was nothing below us and we plunged into the darkness, into the void and the everlasting fall. Around us the sea rose in great walls of smoothed marble, towering cliffs of liquid madness – within them I had the sensation I witnessed the acceleration of time, as if I watched the birth of civilizations, the rise of empires and their collapse – crashing down upon us, ripping at the bow.
For five days the storm beat us across the Gulf of Alaska. From every bunk and berth came whimpered prayers. The crew vomited their songs of praise. Contrary to my usual telling of it I was just as sick as the rest of them at first, riding my bunk like a coffin. Never have I felt as helpless.
But soon enough my curiosity got the better of me and I forced myself to stand and soon after that I had got my sea legs and the queasiness was more tolerable. I patrolled the empty gangways, feeling my way through the darkness, opening the doors of the cabins to check in on the others. Some of them were awake and thirsty and I brought them water.
I looked in on Father’s cabin, which he shared with three of the others. Father? I called, but the darkness was so total I could not see and he did not answer.
I found him in the galley, moving his lips above his Bible. He was pale, very pale, and from time to time he would look up, struggling to calm the heaving of his stomach.
The chief engineer, a dog-faced Vietnam vet, sat at a table near the hatchway. The chief grabbed me, made me sit with him. A few minutes later, the foreman joined us. We watched Father, and the chief made fun of him, pulling faces, digging me in the ribs. It if had been anyone else, I might have joined in with the chief. But I could not make fun of Father. The foreman said nothing, only twirled his mustache.
The storm shook us, pounded at the portholes with its hard white fists. At the table in the galley the chief cursed the storm, the boat, the crew. It was just his luck, he said, to get stuck on a boat full of Bible-thumpers. You’re not one of them, are you? the chief asked me. I shook my head, no.
The foreman lighted a bowl and we passed that among us and smoked in silence, listening to the howling of the hull, the crash of the waves, the clatter and crash of our supplies shifting about in the hold beneath us. The chief and the foreman spoke about the boats they had sailed, the storms they had seen, oh, they’d been in storms before but never one like this. Maybe we should pray, the foreman said, nodding to Father, who had closed his Bible and his eyes.
I went to sit beside Father. He greeted with me a smile. I’ve been reading about the ark, he said. Have you ever wondered what that must have been like? To be chosen like that… I wonder if I would have had the strength.
I’m sure you would have, I said.
No, Father said, I think I would have refused. I wouldn’t have been able to leave everyone else behind like that. To die like that.
I’ve always assumed the others had their own boats, I said.
Father smiled at this. You know, he said, I’d always imagined those forty days and forty nights as perfectly calm. It never even occurred to me that they might have sailed through a storm. Suppose it had been like this?
The storm shook us, rocked us, rolled us. The waves tossed us, tore at us, tugged us. The boat howled, the hull screamed and now and then great booming sounds rose from the hold, from the engine room, the very bowels of the boat.
I’ve always imagined it exactly like this, I said.
Have you been to the wheelhouse?, Father said. No? Then you must come with me. It’s something to see.
We staggered through the gangways and crawled up the steep steps to the wheelhouse. The wheelhouse was dark. Only the lights of the panels, the greenish glow of the radar, broke the darkness. It felt as if we had already slipped below the sea. Father insisted I take the captain’s chair, which was fastened to a platform against the wheelhouse’s rear wall.
We watched as the boat topped a cresting wave and plunged down headlong into the horrifying black chasm of the sea. I have never seen anything deeper nor blacker. I was convinced we would sink, we were sinking, we were sunk. And then, miraculously, the boat began the long climb up again, to the top of an even taller wave.
You see?, said Father, seated in the chair beside mine, Did you see?
The sea smashed at the bow, where a line of gasoline drums had been lashed to the rail. I looked about the wheelhouse. I was surprised to discover the captain was not there. Perhaps he too had taken sick and confined himself to his cabin? Instead, the skipper stood at the helm. He was an older man, always drunk. He did not speak to us then, or ever.
Waves like giant fists pounded at the hull, ripped at the deck, finally tore away a portion of the rail so that the gasoline drums rolled freely over the deck, smashing up the machinery. Father gripped my arm and pointed. The chief and the foreman rushed across the mid-deck, bounding up the stairs to the forward bow. They wore survival suits and had tied ropes to themselves and they chased after the gasoline drums.
We better go help them, Father said.
We piled down the ladders and into survival suits and fastened our own ropes to the hatch locks and fought the wash and the wind. I have never been particularly brave in life and I did not feel brave then, but I could not allow Father to go out there alone. The chief waved at us, he yelled at us, but we could not hear him over the howling sea. Later we found out he was telling us to go back in.
We worked quickly, in unison, like a machine built to do just one thing and only this.
But on the way back in a wave punched us from portside and knocked me off my feet. I slid out across the deck, riding the palm of the wave as it pulled me toward the starboard side. I lay on my back, watching helplessly as above me the sea drew back in a new fist, the curl of its foamy fingers. I used to lie about this moment. I used to say I remained calm, pulling myself hand over hand back to safety. The truth is, I watched the sea rise up over me, and I had been too frightened to move. The others grabbed my line and pulled me back across the deck and through the hatch. Father helped me to stand, but the chief grabbed me, threw me up against the wall, pressing his forearm into my throat. I saw you, you son of a bitch, he said, Giving up like that…What the hell were you doing out there?
The foreman had already left us. Father watched us, saying nothing. But later, when we sat again in the wheelhouse, he looked at me and he was troubled.
I should have said something, he said, I should have stopped him. I should have told him it had been my idea to go out there.
He was very pale, almost ghost-like. It disturbed me to see Father so troubled, and it disturbed to think that I might have been the cause. I wanted to reassure him, I wanted to say something to him to relieve him of his troubles, to soothe his guilty conscience and lighten his burden. There must be words, for this, I thought, but for the life of me I could not think of them, and so I said nothing.
Later, much later, we learned we had been the only boat to make the crossing during that storm and for a day or two we had lost radio contact and had been given up for dead. By then, we had discovered that the captain had not made the crossing with us, but had once again flown on ahead, having calculated the crew would be too ill to notice his absence. As they staggered at last from their bunks, ghastly thin and pale and weakened from days without eating and only fitful sleep, the captain was there to greet them, tall and exuberant and flushed with fortune and health.
Father and I sat in the wheelhouse and stared at the sea, at the waves as tall and treacherous as cathedrals, at the darkness and the void, we listened to the howling of the boat and it seemed to us the waves would tear us all apart, from end to end. We were tossed from wave to wave, beaten by the storm across the Gulf. And we were alone in that formless, furious universe.<img title=”More…” alt=”” src=”https://fictionattic.com/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif” />
<h4><b>3. </b>False Pass</h4>
We limped into False Pass. The crew were given leave to go ashore each day but the chief put me to work repairing the damage from the storm.On the first day he placed an acetylene torch in my hands and set me to fashioning new locks for the hatches and to mending the tears in the hull. On the second day he led me down into the belly of the boat, where its twin engines hulked in the murk, slopped by bilge water. We worked for hours, crawling on our backs through the bilge seeking out the leaks, twist this, turn that, weld and hammer. By the end of the day I was blackened from head to toe, deafened by the engines’ roar, exhausted and dizzy from the fumes. The crew was eating dinner in the galley, they spoke about what they had seen on land, they tried to talk to me about it but soon gave up.
You had to have been there, they said.
On the third day the chief set me to work repairing the roof of the roe hut on the bow. The day was ending and the crew were returning to the boat; the captain sat in the wheelhouse, cracking jokes over the loudspeaker. I knew he was watching me, I saw his shadow in the wheelhouse window. He called the others up to join him, and I could hear their laughter too, in the shadows of the captain’s voice.
Later that evening I came into the galley, and the captain was there, and some of the crew. They drank coffee while I served myself from the leftovers. They were gathered around the captain, laughing at his jokes. Son, the captain said, turning to me, you owe me twenty dollars.
Everyone laughed, except Father, who sat among them, watching me. The captain said: You didn’t see the eagle? You were working on the roof and the eagle was circling over you. Maybe ten yards away. It probably thought your head was an egg. We were betting on whether it would try to snatch you. I bet against you.
We all bet against you, the foreman said, Everyone except Father.
I looked at Father. The chief said: He don’t gamble. That right Father? But you would have bet against him too, right?
If Father gambled, I said, he would certainly have bet on me. Isn’t that true, Father?
Father looked down at his hands. Quietly, he said, I’m glad the eagle didn’t try to snatch you.
The repairs took the better part of a week. Each day the crew left for the shore and returned only for dinner, and sometimes I would get to eat before them but mostly I would arrive too late, they would have already finished and anyway, I reeked of bilge water, of grease and dope and diesel fuel and what have you, my hands blackened and callused, no one would have wanted to eat near me. Once in a while the chief would choose someone else to work with us, but mostly it was just him and me.
At last, there was no more work to be done and I was given leave to go ashore with the others, stroll the wooden walkways of False Pass, its post office and the old cannery and its general store. Father was pleased; the crew were going to climb the mountain and he wanted me to come with them. They were strong, all-American kids. They had all been raised on farms, they would all return to their farms, they knew each other from church, from school, from picnics and county fairs, they were all in excellent health and knew exactly what the future held for them and I envied them for this. I watched them as they scrambled up the face of that mountain, its peak lost in the clouds. From time to time Father came back to me, to climb beside me for a while, but then he’d scamper ahead to catch up again with the others. Sometimes I would have to sit to catch my breath and I gazed breathlessly at Alaska, its ragged distance.
Father came to sit beside me in these moments. We did not speak, although Father would let out a sigh or two and once or twice I thought for certain I saw the glimmer of a tear in his eye as we looked out over this world. I felt he had something he wanted to say to me, that his heart was heavy with what he wished to say, but he said nothing. Perhaps he could not find the words. Perhaps he did not wish to offend me. Presently we would climb again, and Father would keep pace with me for a bit, then race on ahead again, calling out to the others.
Near the peak the air was so thin I had to rest every few steps and finally my lungs were shrieking and I was certain I could go no further. I felt defeated, deflated and, my vision blackened from the lack of oxygen and my own distress, I felt certain I would fall off the very edge of the world. Far above me still the crew walked the ridge leading to the mountain’s peak, their figures black as if charred against the white sky. There was something primeval in their movements, as they walked in single-file, picking carefully among the crags, and for a moment I was certain they had been forged from fire, from when this mountain had once been a volcano, ever so long ago.
I heard voices then. It is not possible I heard the voices of the crew, for they were much too far away. And yet, I heard their voices, a whispering, a murmuring as close to me as if they spoke directly in my ear.
He won’t make it, the voices said, What’d I tell you?
Yes, he will, you’ll see, replied another voice, give him a chance. I recognized this voice: it was Father’s voice, I thought, even though it was not possible I could hear him, and he was calling out to the others, who had turned and walked away. Give him a chance, he was saying, You’ll see.
I did not want to prove Father wrong. For his sake I stood again and climbed, at the last dropping to all fours to pull myself, hand over hand up the loose shale at the top of that mountain. My lungs shrieked, I could barely see, my fingertips blistered, bloodied. Father waited for me at the peak and when he saw I could not get to my feet he grabbed hold of me and raised me up and helped me to stand. The others had gone on; far below us the boat blew its horn to call us back, the sun had started to set, the boat was ready to sail and would leave without us if we did not hurry. Snow covered the gentler slope on the other side of the mountain and we watched the others slide and tumble down the mountain face. They disappeared into a thicket below, reappearing again, their hoots and hollers echoing in the distance. Father and I smiled.
The boat sounded its horn. I said: You shouldn’t have waited for me.
He took out his camera. You’ll be wanting a photo of this, he said.
As proof, I said, yes. No one will believe me otherwise.
They’ll believe you, Father said, just tell them the truth.
The truth doesn’t matter, I said. People will believe anything they want.
Perhaps, Father said, and he frowned, I only meant I thought you’d like the photo for yourself.
I’m sorry, I said, as he turned away from me, I didn’t mean to make you angry.
I’m not angry, Father said. Come on, let’s take that photo.
We reached the boat just as they were getting ready to release the ropes. The foreman was there and he put us to work coiling the ropes. We stood on the stern and at one moment we both stopped working to watch False Pass disappear within a blaze of sunset. I remember thinking my eyes cannot open wide enough for this, knowing I would never see this again. I glanced over at Father. I believe he was thinking something similar, for he looked at me, placing his hand on my shoulder. We stood silently together and our eyes were opened wide.
Father sent me the photo he’d taken of me on top of the mountain a few months later. I rarely show that photograph. In the photograph, I stand tall and proud and grinning in triumph, standing high above the rest of the world and looking just as if I had conquered the world, and not the other way around. One day I will show this photograph to my sons. I hope that I will be strong enough to tell them the truth about it, at least this, if nothing else.
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<h4><b>4. </b>No Fish</h4>
Porpoises guided us through chains of islands heavy with virgin forest. In the evenings, families of beluga came to frolic by the stern. Along the way we watched bears prowl the coastline. Farther north, we spotted sea lion, walrus.The distances were impressive. Once we witnessed the birth and death of a rain storm, we sailed right toward it and for hours we tracked its progress, the silent strikes of lightning, we followed the storm as it drifted and finally faded into the most brilliant rainbow I have ever seen, the colors so clear and pure it appeared solid.
At times the sun and moon circled slowly in the same sky, just above the rough line of the horizon, watching each other warily like wrestlers preparing to take hold.
We sailed north. To the port side, hidden in the mist and the smoke of volcanoes and tucked just behind the curve of this earth lay the Soviet Union, and we were chilled by this knowledge, the world over there shrouded in gloom.
Work had been sporadic. For weeks we chased after herring, then salmon, always arriving too late: the gillnets and skeiners gave up on us and instead sold their catch to the giant Japanese processors roaming the Alaskan coast. Sometimes we would arrive in a bay, juiced by the captain’s promises, oh, we’d be hip-deep in salmon before long, he would promise us. But we’d find nothing, at any rate, no fish. Nestled into a cove of the bay would be a small sad village of prefab houses and worn out Inuit, and the crew would scramble onto shore and spend their meager paychecks on Taiwanese trinkets and overpriced beer and long strands of tough leather-like chew. At other times the machinery would break down and we’d be forced to turn the fish away.
There were rumors. There was a rumor the captain had worked out a deal with the villages, for he seemed to know everyone and his pockets always bulged with cash. There was a rumor the captain had been hired by the company that owned the boat to lose money with it so they could post its losses against their taxes, for this is the kind of world we lived in. The company made more when there was no fish. But for the crew, no fish meant no pay, and over the course of salmon season the mood of the crew had soured greatly. They had grown to resent me, because the chief kept me working, always finding new things for me to fix, and if not him then the foreman, who had put me and Father to work in the freezer hold.
The hours were longer in the freezer and we stayed out of the wind and rain. We grew strong together, stacking the hundred-pound boxes of frozen fish. Even when the captain didn’t take on fresh fish, he’d buy them already frozen and sell the boxes on again to the Japanese, who were buying up everything, all the fish in the sea. I liked working with Father. He was the only one, I’d say, who could keep up with me, although the truth was it really was the other way around. No matter how tired we’d be, Father always kept his smile, and his spirit buoyed me. We’ll rest, he’d say, when the work is done. Of all the crew he was the only one who continued to shave his head.
We grew strong. The rest of the crew looked upon us as a different sort of man. They had all grown up with Father, and he was still one of them and of course they’d invite him to their Bible study sessions, but even he noticed they had begun to treat him differently, they had become more circumspect around him and when they’d go to shore without him they never spoke to him about the things they’d done there, although I gathered on their return their wallets were always much lighter. It was my fault if they treated Father differently, I felt, and I knew things would have been easier for Father without me. To his credit, he did not drop me.
Midway through salmon season we ran out of fresh water. For a week or more we had to ration what water was left. As luck would have it, that was a week when plenty of fish came in, we worked almost non-stop, in eighteen-hour shifts. By the end of the week, we all reeked of fish and sweat, our clothing crusted with fish scales, our lips parched with salt and thirst.
One morning the chief, the foreman, Father and I took the skiff to scout the coast for runoff. The chief had improvised a pump and we set that up to fill the ship’s tanks. This is going to take a few hours, the chief said. The foreman rolled a joint and offered it to me. But Father wanted to go explore the coast, look for walrus tusks. I decided to join him.
The tide was out, forming a skirt of pebbled beach against the otherwise sheer black cliffs. In other places the cliff face broke up in piles of massive boulders, still baring the traces from when they’d been spit out by volcanoes, their surfaces cragged, sharp, cutting despite the millions of years of being washed by waves. Once we passed a waterfall tumbling from a gorge cut into the land by the glacier’s runoff and we drank from it, water so cold and so pure as I will never again taste in my life. We found no sign of walrus, tusks or otherwise, although we were taken aback by the sudden spouting of a whale so close to us we were washed by the warmth of its spray.
I liked to be alone with Father, for we were often silent together, marveling at all that surrounded us. I knew he liked me too, and that knowing me had changed him, at least, that is what he told me, and I believe he told the truth. And yet I knew it saddened him to know me. He truly believed that I would go to hell, and this disturbed him, for he did not think I deserved this, he said, and he would be sad to see me go. He was deeply, earnestly convinced that I would go to hell and from anyone else this might have offended me. But I could not blame Father for his sadness.
We walked and now and then Father let out a long, deep sigh and I knew he wished to speak to me, I knew he believed he had failed me, and he believed I was going to hell and this would be his fault, for he had failed to find the words to save me. He had grown to like me, and even admire me, he said, and it was true at the beginning he had misjudged me. I knew that when I wasn’t around, Father would take up my defense in front of the others. Now the season was nearly over, and although we spoke of plans to see each other once we were back in Seattle, we both knew we would not. I had plans to go to Europe, and Father was headed back to seminary school in the fall.
As we walked along the coast, and as we spoke together, we failed to notice the tide returning and by then it was too late. Suddenly we found ourselves pushed up against the cliff wall. Within minutes all would be lost. Already the waves lashed the outlying boulders, chased us with great plumes of icy spray.
We ran, Father leading the way and me following, we scrambled up the cliff face, searching for footholds where we could discover them, catching hold of the plants, a scraggy leafless briar, that here and there grew among the crags. It was hard going, even for Father, and the sea was gaining fast on us, the skirt of beach had already disappeared and the waves pounded at the cliff face, reaching for us. I was frightened. I do not know if I had ever been so frightened up until this moment. But above me, Father encouraged me, he had already reached the top and he pointed out places for my hands and feet, shouting to me above the crashing waves to have courage, to have faith, in myself, if nothing else. As I neared the top I grabbed hold of a shrub of briar but felt its roots give way. I started to lose my balance and began to fall backwards. But Father reached down and grabbed hold of me and steadied me, helped pull me up the rest of the way. I collapsed on the ground, sobbing into the tundra, that miniature forest. But I was a puny giant.
The tundra spread out before us, undulating softly for a mile or more until it began the slow climb up the glacier’s legs. There we spotted a herd of musk ox, a new danger, for we knew they would charge us if they noticed us. We crept along the edge, between the tundra and the void, as it were, for the sea would not receive us, only swallow us.
Before long we reached the gorge carved by the runoff. It was far too wide for us to jump across. Our only hope was a bridge of ice spanning the gorge at the very edge of the cliff. The ice was melting, the surface glossy and puddling in places, although the bridge was still as wide as a man and easily as thick, and its surface was more or less level. At any rate, there was no choice, we could not move inland because of the musk ox, and anyway, the gorge would only widen as we came closer to the source. We should be thankful, Father said, we have this bridge.
Father bowed his head. When he looked up again he caught me watching him. Well, he said, and he smiled, here goes nothing.
And with that he turned and skipped across the bridge, his steps so light and sure I almost believed he flew.
Now Father stood on the other side and waved to me.
You can do it, he called, although amid the wind and the crashing waves his voice seemed to come from some impossible distance. It’s not so bad, he said, You’ll see.
Oh, I think were it not for Father, I never would have made it across. As it was, I was trembling so greatly with fear that I could not stand, and instead I sunk to my hands and knees and crept slowly forward, stopping sometimes because I suddenly found myself slipping on the ice and, paralyzed with fear, I lost control of my movements. If I had been frightened while climbing the cliff face, that fear had been nothing compared to this. Even now the thought of crossing that ice bridge, the memory of its slickness and how at any moment I might have lost my grip and slipped, noiselessly and helplessly, into the crashing waters below, sets my heart to pounding, my throat tightens, my eyes flood with tears. I remember looking out over the edge of that bridge, at the rushing white of the waterfall, at the impenetrable blackness of the sea, and I remember feeling as if I had lost myself, as I had been drained of everything I believed myself to have been, and empty, I would spend the rest of my life and never become full again.
But Father coaxed me, he encouraged me, he called to me and calmed me.
Once again, Father helped me. He threw himself down and stretched himself out onto the bridge and allowed me to clamber over his back and onto the tundra. He let me be for the moment, standing back while I grieved over what I had lost. Then he helped me to my feet again.
You don’t see?, Father said, at last, because he could no longer hold it in, You still don’t see?
I shook my head. I wanted to apologize to him, because I knew that I had troubled him. But he turned away and started walking.
We better get back, he said, They’ll be wondering where we are.
The skiff had returned to the boat, chased away by the tide. We walked along the beach. The remains of a fishing village still haunted the coast and we searched among the ruins, gathering planks for firewood. We built a fire on the beach, and sat staring at the boat. It was less than a hundred yards away, but with the ocean between us, it might as well have been on the other side of the world. Behind the boat we watched the sunset, the sun so large it looked as though it would swallow the boat, the ocean, the world, everything.
We had hardly spoken since the ice bridge. Father appeared troubled, although he pretended to be in a good mood, waving to the others who watched us from the railing of the boat.
I looked into the flames. I said: Listen. I want to apologize.
What for?
For the way I, well, you know. Crying like that. It only made things worse.
Why shouldn’t you cry? You were right to cry, Father said. He shivered, despite the heat of the fire, which burned nicely now. We almost died there.
Yes. Still.
Anyway, I should apologize to you, Father said. His chest heaved and he let out the saddest sound I have ever heard.
You have nothing to apologize for. If it wasn’t for you, I wouldn’t have made it. Not just here. The whole season. You’ve been a good friend.
Tears formed in his eyes and spilled slowly down his cheek. He made no effort to wipe his eyes, although he hung his head.
No. I have not been a good friend. All the things I’ve said to you. Telling you you’ll go to hell.
It’s okay, I understood what you meant.
No. How can that be okay? You’re a good guy. Why should you go to hell? It makes no sense.
I’m not a good guy, I said. I’m a coward. I’d be too afraid to go to hell.
You’re not a coward, Father said, and he waved his hand – at the gathering dusk, at the wind, at the tundra, at Alaska, What you did back there. That’s the bravest thing I’ve ever seen.
I was scared. I wasn’t brave, I said, I wished I could have been more like you.
No. You’re the brave one, Father said, and watched woefully the flames, stirred by the wind, To do what you did. With nothing, with no one… To be all alone like that. I could never be that brave. I could never be alone like you are.
I wanted to say something to him, I wanted to console him, to apologize to him, to convince him that I too was a coward, that we are all cowards, when you get down to it. I hated being alone.
I wasn’t alone back there, I said, You were there.
But Father turned away from me, he was crying and he did not wish me to see him cry.
Soon after, a skiff appeared from around a curve of the coast, driven by a family of Inuit from a nearby village, a father and his two sons. We waved them over and they pulled close enough to us to allow us to climb aboard and take us back to the boat. We were shivering. It was nearly night by then. Along the way one of the boys, not any older than my sons now, pointed to my wool cap and laughed and showed me his own, made of sealskin, thick and plush and warm. At the boat we shook their hands and to thank them we gave them a bottle of whiskey.
Oh, there were still a few weeks left of the season, but to tell the truth, no one held out much hope by then. The chief kept me busy enough, however, and it is surprising how much work there is to do on a boat, even when there is no fish.
Mickey Laurence Cohen is an American writer living in France, where he works as a journalist. His stories have also appeared in Prime Number Magazine, Atticus Review, and Smokelong Quarterly, and he has just completed work on a French novel, La Fin du Temps. A native of New Jersey, his last known address in the United States was in Chicago, where he earned a Bachelor’s degree in English/Creative Writing at the University of Chicago. He also performs as a musician and spoken-word video artist under the name Mickey Zero.
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Telegraphing the Fox
flash fiction by Annie Dawid
In his will, my 87-year-old lawyer father included the proviso that the definition of grandchildren who would benefit from his estate included, in addition to any extant grandchildren, “any child born to any of my three children up to and including nine months from the date of my death.” What was he thinking? That one of us would go out and impregnate or get pregnant within 24 hours of his passing?
Probably, he was thinking of me.
Unlike my siblings, I actually would do something like that. (Though I didn’t, too busy with my one-year-old son, whom I’m raising alone.) The mystery behind such a clause leads me to the box of condoms I found in the medicine cabinet when I cleaned out his apartment a few months after the memorial service, over which I presided, my milk leaking as I spoke from the podium. My siblings weren’t interested in the contents of my father’s Fifth Avenue co-op; me, I knew there’d be juicy information, perhaps in code. The ripped open Trojan box, designed to hold 12 prophylactics, contained only 11.
In a drawerful of correspondence, I found a slew of cards addressed to my dour, sour father dated a few years previous, from one Gloria Greenberg on East 88th Street. Each message contained some sort of thank you – for flowers, a night at the theater, the card he’d sent her, and for being such a wonderfully kind and generous man on her birthday. What were his gifts, I wondered. Dinner out? Jewels? Art? From the handwriting, I deduced that Mrs. Greenberg–she used the title on her return address–was close to his age; each letter was carefully formed, slanting just so, her numerals curvaceous. Clearly, she’d studied penmanship, a skill dropped from the latter twentieth century curriculum. Naturally, I was glad to discover that this romance–how many were there?—had not been with some young gold-digger, though she might have been an old one.
But could elderly Mrs. Greenberg be responsible for the missing condom? The potency date on the box had long since expired. Surely, she would not be risking pregnancy. Would my father have worried about AIDS? I could picture him reminding himself, in his no-nonsense way, “no point in risking a sexually transmitted disease,” even in his 80s. But Mrs. Greenberg’s refined cursive led me to believe their tryst was chaste. Gloria’s letters spanned six months. What had become of Mrs. Greenberg’s and my father’s affair? And did she need to know her former beau was deceased? Later, I wrote, but my card returned to me: “No Such Occupant.”
In another family, siblings might consult. Collectively, they might decide to shield their widowed mother from information she need not have. Over a drink and after a bawdy laugh or two, they might decide to burn the letters, cremating the tale of Gloria and their randy old dad, her words in ashes like the deceased patriarch himself. In some families, the death of a father might precipitate change, perhaps engender new channels of communication, but these did not open in mine.
I did not disclose the mystery of the twelfth condom, nor the existence of Gloria’s cards, which now burrow in my study, hidden among innocuous correspondence for my child to unearth one day. Honoring his tradition, I hoard my father’s secrets, disclosing only to the page, not to flesh, telling strangers, never my own.
A few years before his death by heart attack–his fifth—my father nearly died of diabetes. A West Coaster, I’d been in Kentucky for a conference and returned home to a bevy of messages on my answering machine regarding my father’s dire condition in a New York hospital. The friend who’d picked me up from the airport graciously returned the dog to the dogsitter and me to the airport, where, a few hours later, I caught a red-eye. In the morning, my recovering father, still woozy in post-op (after surgery for a superficial wound whose complications nearly killed him) looked at me, the first to arrive, and said, “You look like a fox.” Had the anesthesia skewed his vocabulary? Or did I, in the dawning light, resemble the actual animal? Or was he using the vernacular, the term for a sexy woman? Did he think I was my mother? To whom could I confide this word? Later that visit, with my father out of intensive care and clearly on the mend, I suddenly managed the arithmetic regarding the number of months between my parents’ marriage–about whose actual date they had always been fuzzy–and my sister’s birth. “Dad, was Mom pregnant when you got married?” In his hospital pallor, my father laughed loud and hard. “My god!” (Which, in his accent, sounded like “gott!”) “Did it take you all these years to figure that out?”
How many other secrets, like that one, shimmer openly? And why hadn’t my siblings, over the decades, ever questioned a three-month courtship and an anniversary never celebrated? Me, it took 37 years, but my elder sister and brother, impervious, never asked. Aren’t they curious about our father’s secret life? About mine?
Unlike them, I believe the unspoken and unwritten can be deciphered, each according to her need. In the language of his will, my father was telegraphing me, “Beloved: you are still young. Make another life.”
Annie Dawid is the author of And Darkness Was Under His Feet: Stories of a Family (winner of the Litchfield Review Press Short Fiction Prize); Lily in the Desert (Carnegie-Mellon University Press Series in Short Fiction); and York Ferry: a Novel (Cane Hill Press). Her stories and essays have received a number of prizes, including the 2012 Essay Prize from the Dana Awards.
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The Spoken World
memoir by Brett Garcia RoseHere are the rules: You must begin every sentence or phrase with a vowel. Any word beginning with a consonant is considered high risk and must be preceded without pause by a vowel ending in a higher tonality. This is the roller-coaster. The letters M, B, G and V are especially troublesome. Avoid them, substitute with words beginning in a Z or TH or another soft consonant where possible (hint: you can get away simple letter substitution within a word if you fake a yawn or hiccup), but if you need to use them you will always and carefully place them towards the end of the sentence, when you are out of breath and have the necessary speed and force to break through. This is the run. You can never use words that begin with T, S, Y or a hard C, and you can never use any word containing an audible W or a soft U. These sounds are unavailable to you. Find alternatives.
Now construct a paragraph describing what you did today. You have 2 minutes.
A stutterer learns to do this at five years old. By the time we reach nine we can do it in around half a second. At 12 we have the mental equivalent of a college-level thesaurus and will often use three or four syllable words or entire phrases in place of a single word containing a letter we cannot use. A common example is for us to say ‘I’d prefer not to agree at the moment,’ instead of a simple ‘no,’ if the word stutters in the internal rehearsal that takes place in the moments prior to verbalizing.
We speak the way writers write, and we edit in real time. And even though the lag lessens with time and practice, a stutterer will likely go his or her entire life without ever having a real conversation. We are three steps ahead of ourselves at all times. We cannot enjoy the present because you can’t bear the silence. We love and fear and respect language in way the fluents could never imagine. We think in words, not images, because we are necessarily obsessed with the delivery of our thoughts more so than their contents, and we are so preoccupied with our verbal puzzles that there is no room for anything else. And although we may only speak 30 or 40 words in a given week, we have a constant stream of dialogue running through our minds. Life, for us, is an ongoing rehearsal.
School is a problem beginning at a very early age, but not because of the social abuses put upon us. Those are not unique to stutterers, and we learn to take it just as any other outcast groups of children do. Fat, ugly, pimply, speechless, it doesn’t make a difference. Children are mean, and there is never a shortage of targets. No, we are inevitably undone by our own cleverness, our self-cures. We develop many simple and complicated ways to avoid speaking. The survival of a young stutterer depends on his or her ability to avoid attention, to eliminate the reasons and opportunities to speak. As long as we’re allowed to keep silent, we believe we’re just like everyone else. Much of this involves simply becoming smaller; if we cannot get something on our own then we just learn to not want it. We spend our entire lives going around things others take for granted, things they look forward to.
We don’t make friends. We don’t date. We don’t fall in love. We take whatever jobs we can find, because we don’t interview.
But we do speak, and we are proud when we speak well. One sentence well delivered means as much to us as an entire graduation speech means to the valedictorian. Our speech is funny, sure, stilted and put together wrong even when properly rehearsed and delivered, but it’s the only speech we have. And no, we are not grateful when you complete our thoughts for us. We want to murder you. My father, of all people, understood this. People were routinely thrown out of our house for less.
Stuttering is not a handicap. There are no stickers or scholarships for us. We get the opposite of special treatment. Teachers often take it upon themselves to cure us of this annoying and disruptive problem, either by brute force or shame. And so, predictably, we fail, and then we rebel to justify our failures, and eventually succumb to the escalating, negative descriptors put upon us. I could not speak, so I learned to pick pockets and locks. Such was my story, and it is a common one among stutterers. We fail, yet we are not failures.
After nearly dropping out of high school, my father gave me the typical ultimatum of the day, either go to college or get out. It was understood that I was basically retarded and would go no farther. My family was tired. I was tired. We’d all had enough. I’d find a good life as a mechanic or line cook somewhere. I’d live the same blue-collar life the rest of my family did before me. I’d learn a trade. There was no shame in this.
Only, I didn’t. Perhaps it was my lifelong anger at stuttering, at my father, at the world. Perhaps it was just fear of leaving. I still don’t know. But I never felt stupid, regardless of all evidence and assurances to the contrary. I wasn’t book smart in any sense, but I could think. So I applied to the only school that would take me, a local two year community college with no admission requirements and cheap tuition. I enrolled for one semester, five classes, and received a perfect score in every one. Another interesting fact about stutterers; we don’t really need to study. We spend our entire lives listening to others speak, and we do it well.
Much to their credit and my own minor astonishment, my family was not surprised at all, and faithfully supported me throughout my difficult college career. Without their unyielding, unforgiving strength I’d have gone no further than high school. There were still many important classes where I received unsatisfactory grades, or simply removed myself and failed when presented with forced participation. And worse, instructors easily notice students who underperform and either go hard or give up. To the sensibilities of the outside world, we are either retarded or rebellious, and sandbagged accordingly. University is not so different from grade school in this respect. But I trudged on. For my father, mostly. Sometimes I excelled, often I failed, but I never received an average grade. And I never quit.
I stumbled onto writing by accident. Classes with heavy emphasis on written assignments were easy for me, so long as I did not have to read aloud (I often got the flu and lost my ‘voice’), yet I did not think about writing until I began to keep a journal; well, really, until someone important to me discovered my journal and read it in secret. She confronted me a hundred pages in, laughing and crying and questioning. She’d never known I had so much to say. Anything, really, to say. She was, and remains, the most beautiful person I have ever met.
We were engaged to be married a few months later. Several months after that I was the youngest person ever to publish a column in The Sunday Newsday Magazine. Three times.
Thus began my brief career in journalism. At my second school, after a year of no friends, no parties, nothing, I wrote a goodbye story and slipped it under the door of the campus newspaper’s office late one night, a sad farewell to people I’d never known but desperately wanted to, people I’d watched with envy and admiration and genuine warmth. I wrote a goodbye letter to the student I’d never be, to the people who I would never know. By the time it was published I was long gone. At my next school, a larger, state school, I’d publish a weekly column for two years under a pen name. I discovered, then, that I was not just writing for one person; I could write for everyone. That person was famous. People wanted to know me. They’d invite me to parties, ask for my thoughts, for my friendship, for my love. Everyone wanted to know that person. But I’d never have anything to say. The person they wanted to talk to didn’t exist yet. It was time, again, for me to go.
And so I’d transfer again, just leave in the middle of the night, no one to say goodbye to, no one to wish me well or to hold me back. I’d transfer again. And again. At each school I’d publish fiction for the college literary magazines, essays for the journals, columns for the newspapers. At Northeastern University, where I finally graduated, I kept a part-time job cleaning the newsroom, ever aware of my mounting debts. After each production cycle, I’d work overnight scraping the wax from the floors and layout boards for seven dollars an hour. When someone finally connected me as the wax guy to me as the columnist in the same paper, to the fiction writer in the literary magazine, to the essayist, I was offered leadership editorial positions of increasing responsibility, and one of the few regrets I carry with me was that I never accepted any of them. I was becoming a good writer and an excellent researcher, sure, but the inability to use a telephone made the task all but impossible. No one texted back then. No one emailed. I was tired of failing.
I was good with computers, however, and my last few months in school I was instrumental in budgeting and implementing a conversion to full electronic publishing. My advisors thought I was autistic, but they accepted my plan wholesale, and I made it work. Three months later the university newspaper, one of the largest student papers in the country at the time, was fully electronic. No more wax. My job was done. My final effort as a journalism student was to shed my weekly column and write a three part, front page investigative series on animal research and abuse on campus, resulting in a suspension of federal funding for the university biology department, and significant disciplinary action against me. I’d been funny in the past, literary, romantic even. Now I had teeth. But it was worth every word. I went on to become an underground writer and researcher for the animal rights movement, and eventually became production editor of the Animal’s Agenda, the international magazine of animal rights activism. My journalism, however, would go no further. Eventually, someone would always ask me a question. And laugh at my non-answer.
At the same time I also entered general electronic publishing, designing layouts for Popular Mechanics, Redbook, Windows Magazine, MacMillan trade books and other publications, but this, too, was a short-lived career. I was summarily ejected due to another small handicap I had kept hidden; I am colorblind, and inevitably made a costly mistake on a central layout. Colleagues covered for me initially, but people only go so far. Thus ended my career in writing and publishing.
So I went to a trade school on a federal assistance program and learned software engineering. I studied database theory at Columbia University in the evenings. In 1995 I started my own company, inventing a system called Concept-Tel for the wholesale telecommunications industry. I am the sole employee, designer, developer, salesperson and CEO, and continue in this capacity today. My closest competitor has nearly forty employees, and yet I succeed well enough, and often excel. Other times I fail, go broke, work for other companies. But I’m used to that. A stutterer learns failure at about the same time other children learn Lego.
Still, all these years later, I wish I had found a way to stay the course. I wish I had kept writing every single day, as I did then. I wish I had the courage to not bend to the world. I wish I could still talk to that young woman who discovered me, who gave me my first chance to communicate with the world. It was not my stutter that ended my writing career. It was not the misinformed teachers and counselors and therapists. It was not the meanness of my peers. It was not my parents. It was me. The world had not beaten me. It had challenged me. What everyone saw as my success was, to me, a profound failure. I’d spent a lifetime avoiding the very thing that had saved me. My writing.
Like so many others, I began writing out of despair and a sense of disconnectedness from the world, out of loneliness and fantasy. In my writing I was fluid and fluent, I could be charming or terrifying or wise. In my writing I had friends and purpose and value. I was someone to talk to, someone to love. In my writing, I discovered myself. In discovering myself, I came to know the world.
Eventually I overcame my stutter and evolved into the speaking superhero that I had so often fantasized about, but I still write for the same basic reason. Like someone who moves into a new home and renovates it to their liking, I recreate the world I inhabit through my fiction, and although my changes are often small and subtle, when I am finished and read back what I have written, that world seems like a better place than before. My characters are lonely, though. They don’t talk much. They don’t need to. But in all my work, and my life in general, there is that unyielding, ever-present loneliness that all stutterers share, and the profound power that accompanies its presence. I do think this is a common path that many writers take; it begins as a curiosity, then an art, then an outlet, then an addiction and finally an immersive way of life. To a stutterer, it is a lifeline, no less important to us that air or water or love. For me, though, the real world is indistinguishable from fiction, and the more I write, the greater control I gain over that fictional world, which directly translates into greater power over my own life.
I learned to shed the thick skin I’d developed as a stutterer. I overcame all of that tremendous anger that all stutterers bear. In the end, it served no purpose. I deserve and demand from the universe no less than anyone else. After many years I’d come to learn what others accept as children. All you have to do, is ask. The world is only as frightening as you allow it to be.
So two years ago I’d finally done what I’d always feared, what I’d always found a way around and made silent excuses for. An editor of a magazine that published some of my work asked me to read in public. I said no, but he just told me the date, and how long I was to read for. I was a writer, he’d said at the time. This is what writers do. He knew nothing of my stutter, and still doesn’t, but assumed that this was a fear all new writers had to deal with. I was to compete in Literary Death Match, next to successful writers, in front of famous judges. I had weeks to prepare, and seven minutes to read.
I invited my family. I’d memorized every word of my story so I would not have to deal with paper. My plan, all along, was to announce up front that I was a stutterer, that I was nervous, that I would do my best. I would ask for patience, for lenience and acceptance. Once on stage, however, I did no such thing. I looked at the lights and the judges, at the hundreds of waiting faces in the audience, at my family. I just started reading, and I read slowly, confidently. I read well. When it was over, I’d expected my family to be astonished, to be proud and amazed at the words coming from my mouth, for no such thing that had ever seemed even remotely possible to me. My mother commented that I sounded like I had a southern accent. People talked with me late into the night and, for the first time, I answered. The next morning, the Miami Herald published excerpts from my story. There was no mention of any horrible speech problems or people laughing or booing. None of it happened. And I realized, at that moment, that I was no longer a stutterer. My family had forgotten. My audience never knew. Even the journalists couldn’t figure it out. I was, simply, a writer. The stutterer was gone.
I read my work in public now from time to time, and am heckled and critiqued as all writers are, but never for my speaking. Every word I utter is a profound victory. I am a writer and a speaker, no better or worse than any other. No one need know I was ever a stutterer. And I have no more pity for those who stutter than for those who can’t write. Personally, if I had to choose, and I remember when I was forced to, I’d choose writing. Every time.
I have the same insecurities as any other person now. I feel unprepared, at times unworthy and exceptionally lucky, and yet I know there is more to it. For no matter the success I find in software, it is insignificant to the pride I take in writing, and the pure exhilaration I feel when I am able to write well, to finish a good story or even a page in one, and to know that it is mine, mine alone and hard-won. I give no further thought to speaking. Whatever I have to say, I say.
And so I return to my beginning as a writer. To write regularly, to understand the craft and trade more completely. To become, finally, a writer, as corny as that may sound. It is difficult and at times frustrating and disheartening; I am a young writer and largely self-taught, with all of the bad habits and insecurities that come with that meandering and unstructured effort. Yet I continue, I persevere, in the same way I have in my career in activism, in my software, in my stuttering, and in my life.
I’ll never be that person who comes through my writing. None of us ever are. We pass one another at times, these two eager selves, we nod and acknowledge each other as peers, as equals, distinct and ever distant yet, in the end, friends. The spoken world is bigger than I had ever imagined it to be, wonderful and relentless and unforgiving, and to be a part of it was my grandest childhood fantasy. I don’t know what the world sees me as now, just another guy trudging along the same road, at once careful and reckless as we all are. I still don’t speak much, and I find the world every bit as mean as I did when I was a child. Inside I will always be a stutterer, with all of the wonderful gifts and peculiarities and sadness earned as such. But outside? In the big real world I had hidden from so well and for so long? Outside, I’m just another writer, struggling to find words, to be heard and understood and absorbed. Searching, at long last, for something to say.
Brett Garcia Rose is a software entrepreneur, fiction writer, former animal rights soldier and stutterer. His work can be found in literary and consumer publications around the world, including Sunday Newsday Magazine, The Barcelona Review, Opium, Lit Up, Rose and Thorn, The Battered Suitcase, and The Lascaux Review, in which this essay originally appeared. Awards/nominations include the Million Writer’s Award, Best of the Net, The Pushcart Prize and Opium’s Bookmark competition. His first novel, Noise, will be available in Summer 2014. Find the author online at BrettGarciaRose.com.
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Telegraphing the Fox
In a drawerful of correspondence, I found a slew of cards addressed to my dour, sour father dated a few years previous, from one Gloria Greenberg on East 88th Street. Each message contained some sort of thank you – for flowers, a night at the theater, the card he’d sent her, and for being such a wonderfully kind and generous man on her birthday. What were his gifts, I wondered. Dinner out? Jewels? Art? From the handwriting, I deduced that Mrs. Greenberg–she used the title on her return address–was close to his age; each letter was carefully formed, slanting just so, her numerals curvaceous. Clearly, she’d studied penmanship, a skill dropped from the latter twentieth century curriculum. Naturally, I was glad to discover that this romance–how many were there?—had not been with some young gold-digger, though she might have been an old one.
This is an excerpt from a flash fiction by Annie Dawid.
Read this story in its entirety when you subscribe to Fiction Attic Press.
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On the Nightwalk
by Mark Sheerin
He was on the road when they picked him up and it was night. There he was, large as life, in outsize Day-Glo, a coat like they used working on the motorways, except he worked for a fashion magazine.
The coat was bought second-hand.
“Can I ask you where you’re going?”
The police had the car window down. From all the vehicular markings and the lights he could tell this was a serious business..
“To the station,” he said.
He did not say he was leaving the country. That was surely understood.
“At this time?”
There was no mirth in the car, no flexibility, no grounds for argument.
“I was heading down there on the off-chance.”
“You’ve missed the last train now.”
The police said so with a kind of omniscient clarity.
“There’s always tomorrow’s first train.”
Said with a shrug, but they did not take kindly to him waiting for dawn, even though there had been a lot of that recently, a lot of nights spent vigilant against an enemy. It got so he was happy only on the move, remaining one step ahead of police, doctors, parents, special agents, white slave traders. Which is where this coat might really have helped, a high-visibility anti-kidnap strategy, in theory if not in fact.
“Where d’you live?”
He was not in the habit of fighting or lying. His strain of delinquency wasn’t up to it.
“You’d better get in, son.”
Son, he thought, Sonny Jim, Sunbeam. So let the re-oedipalisation process begin, he thought, then opened the passenger door like a lamb. The rear seat smelled of leather and he thought once again of the minotaur and his labyrinth and the darkness with which he was locked in combat. The radio crackled as the police upfront called in their report.
“Caucasian male. Aged around 20”
By god though, he was alive. While parents and peers slept he was under arrest, the subject of a radio report.
“Inappropriately dressed,” came the voice.
And he could never understand that final comment. There he was, on his way to Europe, where the jacket would make him famous. Tell me officer, he wanted to say, is that really such a crime?
Mark Sheerin is a journalist from Brighton, UK. He covers art for, among others, Culture24, Hyperallergic and his own blog criticismism. His fiction has appeared in Litro, Metazen and Pages Of magazine. He also runs a spoken word event in local gallery CAC.
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Winners & Finalists – First Novel Contest
Winner
Congratulations to Karen Guzman, whose novel Homing Instincts was selected as the winner of the Fiction Attic Press First Novel Contest.
Karen will receive $500 and publication.
First runner up
Congratulations to Rena Rossner, whose novel Framing the Sea was the first runner up.
Finally, congratulations to our finalists:
Giano Cromley, for The Last Good Halloween
Avital Gad-Cykman, for Desert Symphony
Jennifer Pieroni, for Danceland -
Where to Find Pre-designed Ebook Covers
These sites offer quality pre-designed ebook covers:
Literra Designs: covers starting at just $35. Literra keeps costs low by using free stock images. You can customize the cover text for free. Back-of-the book and spine designs cost extra.
Beetiful.com is much pricier, at $165 per cover, but the covers tend to look a bit more professional. If you’re serious about marketing your work, I recommend Beetiful.
Fostering-success.com has pre-designed covers starting at $99, plus an additional $85 for full wrap. Don’t let the weird website name turn you off. They have some decent covers at a mid-range price.
CCRbookcoverdesign skews more toward sci-fi and horror. If genre is your thing, these could work. Very affordably priced at $45-$75. (The primary image for this post is from CCR)
Damonza.com offers very good-looking, unique, artistically inclined covers, but at a heftier price than the others–$195. If you don’t mind spending more, this site is worth checking out. Unfortunately, some of the covers, while arresting, have titles that aren’t as readable as you might like them to be.
Goonwrite.com has covers starting at $30. The brightness of the images definitely gives the covers a pre-packaged look, but that doesn’t mean they’re not eye-catching. If you scroll down you’ll find searchable genre categories on the left hand side of the page.
Author Marketing Club features covers by a number of designers. You choose the design, and AMC hooks you up with the designer. Covers are affordably priced, although some look a bit too formulaic. AMC offers is a membership of $105 per year, which gives you free access to all of their ebook cover designs.

