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Category: Long Reads
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Commuter

by Edward Wells & Nicolas Diaz
novella excerpt
[1]
Stuff you can do in the commuter bus: fall asleep in your seat; pretend to fall asleep in your seat so that you don’t have to give it up; pretend to fall asleep in your seat to avoid conversation; read in your seat; pretend to read so you don’t have to give up your seat; pretend to read to avoid conversation; listen to music through your headphones; pretend to listen to music through your headphones to avoid conversation; make small talk with someone you know.
Stuff you can’t do in the commuter bus: look strangers in the eye.
So, students and employees use headphones and magazines. Some play music, some listen to it. Some look at their magazines, some read them. Those who don’t want to carry on just nod off to sleep or watch through the windows. Without moving, they are all going home. From downtown to the old districts, to the not-so-old districts, to the industrial park, to the old commuter town and the new commuter town. It takes an hour to go from downtown to the new commuter town. The buses that do not take the industrial park road take an hour-and-a-half to get to the commuter town.
As they were in the Middle Ages, old people are strange creatures here. They dwell on their porches and sidewalks, in their armchairs, in their beds. They only move in twos, the way girls do in elementary school. They ride the commuter bus in twos. They don’t have headphones or magazines, they talk to each other, or to whoever they want. Rules don’t apply to old people.
“He doesn’t understand, not until things happen to him.”
“You know the saying, ‘they cover the well once the child is drowned’.”
Hands holding evening newspapers, gossip magazines. Eduardo is not wearing headphones; he is not reading a magazine, and he’s not old. So, he pretends to sleep with his head against the window.
“They cover the well once the child is drowned.”
Eduardo toys with ideas, imagining himself as an old man, or as a young kid watching this present self of his.
“And he wants me to throw away all my stuff, he says it’s all useless—” “Because it’s not his stuff.”
“It all will be his one day, when I’m gone.”
Eduardo pretends, so well he actually falls asleep. Wakes up when the commuter bus reaches his district, white houses. There is almost no one on the bus when he steps down the stairs, only two elderly women talking.

(2)
[The End]
Joe rests on the edge of a well. He is leaning over with his ear turned to the well’s center. After a few minutes he reaches down and pulls a rusted 19th century iron from his hiking pack. He holds it over the well’s center and hesitates for a moment looking back down at his hiking pack, nudging the contents with his foot. He bends down, putting the iron on the ground. He rummages through the bag picking up several of the items, bouncing them in his hand, before replacing them in the pack. He again stands with the iron and centers it above the well. He drops it and leans over with his right ear turned to the well’s center. He covers his left ear with his left hand and waits.
No sound returns.
Erika turns to the clothes line hanging a sheet in front of the lemon tree in the far corner and speaks to the woman sitting behind her. “You know that I won’t take that ring from you–I mean you know when I will take the ring, Mira.”
Erika continues to hang sheets forming a curtain between the older woman and the circular formation of stones which takes center place in the courtyard. “I do not need to be dead to see you happy, child,” the older responds flatly, then sighs before beginning to slip away, as Erika struggles with a clothespin on the next sheet. Lifting the empty basket from the compacted dirt floor, Erika swings around as the curtain rises.
“Now, what is this talk about visions of a boy–” She breaks off as she realizes she is talking to the wind.
At home Eduardo drops his backpack and lays on the sofa without turning on the light. Rummaging through his pockets, he makes sure parts of a newspaper are still there. He places them quickly onto the short table that sits in front of the worn sofa. He looks around at the three objects in the room: the sofa, the table, and a tall lamp. There is no well here or kids that could fall inside a well.
He looks toward the kitchen and places a hand over his stomach. He pushes his shoes off using his feet and straightens his legs on the sofa. In the dark room, it is sleep which ultimately holds his attention.
End of excerpt. Stay tuned for more.
Edward Wells II studied Creative Writing: Fiction at Colorado State University. He is currently finalizing details for divergent future paths. He is currently working on a new collection of poetry & short fiction under the working title “I Am Not Sam: Scribblings from American Samoa” while teaching English at Leone High School on Tutuila.His work can be found online at Gone Lawn, Eunoia Review, and many other places. His most recent collection, CO (2013) was released by The Pedestrian Press. You can contact him through his facebook artist page https://www.facebook.com/EdwardWellsII.
Nicolás Díaz was the author of Trouble Every Day, a blog on pop culture for Milenio newspaper, between 2007 and 2013. Previously he coedited Sonitus Noctis ezine. His personal blog is called Murmujú.

